When Push comes to Shove

"Oh, that silly woman! Wait, we'll march through together", she said, putting her arms around me closely and pushing me in front of her through the opening barrier.
What had happened? I thought English people keep themselves to themselves - but this Lady gave me the closest body contact of the last 9 days! At Regent's Park tube exit a muddled woman in front of me had placed her handbag (!) on the place sign for oyster-cards, then marched on - hesitated - came back two steps ... her gates closed - but in the meantime I had put my traveler card into the slot of the machine - the gates opened - she marched through - but they were closed for me. (Good for the woman, come to think of it: the queue behind me gave her a few names I am eager to learn...)
Of course there was no assistant near - but, as you see, this damsel in distress, Yours Truly, was rescued by that courageous forceful maid who followed me. 
I then walked into Regent's Park (alone) - and visited Queen Mary's Rose Garden. But of the many, many roses there only 'Gertrude Jekyll' had opened her eyes (husband told me the same happens at the moment on my balcony in Berlin - as Getrude was a very stern and no-nonsense Victorian Lady-gardener and artist, neither cold nor rain can stop her (and of course I bought the rose named after her long time ago).

Though I saw I was right not to order "Sexy Rexy" (I believe that rose was named after the actor Rex Harrison, who earned that label) - but maybe the plants in Regent Park were just very young, baby vegetables, so to speak.
But the day itself: it brimmed over with sunshine.
Which I will try to capture with this cunning device: they little Ladybird-backpack contains a cord - so the mother has a grip on the child who can't get lost in a crowd.

"Puttin' on the Ritz" - or whatever you want

I always marvel when I catch that very special moment when something  is coming into reality, that weeks before was only an idea rushing through my head. There I started to think about it, planned, worried, stopped worrying (humming "What you focus on grows") - and then: a snap of the finger, and - whizz - I am actually here, standing on Trafalgar Square, or meeting my Facebook-friend Louise from Dover, or take a picture (precisely: 281 pictures) of the Chelsea Flower Show.
Now I am in London; having managed to bring my suitcase the long way through the tube, stopped worrying if someone will not be disillusioned by meeting me, and - wiser by being no spring chicken any more - I look left AND right when I cross the road, because I finally accept I will never learn that. 
I am here - in REALITY, not in dreamland! 
Above you (hopefully) see a dance from Top Hats - a musical I saw today - though it never crossed my mind that I ever would (normally I'm not much into musicals). Only a few days before, when Anne and I hastened through ice cold rain to Lincoln's Inn, she remarked: "Look - the Waldorf! And there - such a row of theatres with musicals!" 
And today I was sitting - well, not in the Waldorf - but in the musical Top Hats, because my lovely landlady invited me to a wonderful oldfashioned theatre with plushy seats, and a musical that gave us absolutely good spirits with its dishy tap dancers!  

This photo is not - as you might think - part of the musical, but a wall and the backside of seats in a restaurant were we (and sometimes 'Boris', as rumour has it) were dining before the musical.

"Take your brolly - they said it will rain!"

Well - I have to jump right into the puddle - writing, I mean - otherwise I have those lots and lots of things I want to tell you - but the good intention becomes the victim of perfectionism (as in "I shall tell about the Chelsea Flower Show first!") but I don't feel like it at the moment (though it was absolutely gorgeous!!!!)
And if I start to complain about the cold and the rain (and my envy about people wearing their winter coats and funny knitted caps - they were warm!) it is, as we say in Germany, also "snow from yesterday" - because today it was HOT! (And, to be fair: on Saturday at the Flower Show too, and the day when Anne and I were in Kensington Garden too; most of the people were lying on the green, green grass (a very posh gentleman in his immaculate suit, with a golden wristwatch and very fine shoes was lying for half an hour while speaking into his cellphone - all the time - but the sun even shone on him. Anne and I had the time to look at him because we recovered from the tour through the Kensington Palace, a wonderful meal in the Orangerie, and an extensive walk through the park).
YES, we have seen so much (this was not the programme for the whole day, oh no!) - and my friend is even more energetic than I (and she had only four days for a stay, so one day when we came back from Richmond, visiting her friend who proudly showed us her working place, the complete German school and its surroundings, and seeing polo players and walking miles along a lovely misty river Thames, then visiting the House of Ham, and then (!) Hampton Court, in and out, and then - coming back to Earl's Court, where our hotel was - she asked: "And what are we doing now?"
By and by I will tell you - but not now, as you might get tired.
Anne is back in Germany, and I am in Battersea now, and when I came back this evening the visiting sister of my lovely landlady and her niece said unisono: "So you are Britta - we heard of the many things you do and see - wonderful!"
Well - if you are in London now and see a tall slim woman running up the endless escalators of the tube - yes, the one in the leather jacket and a dark blue skirt and ballerinas (sign of how sensible I have become!), a pink little scarf and a dark-pink umbrella - that's me!

To Whom It May Concern

As I have an appointment at the the RHS Chelsea Flower Show,

I will not be able to read posts or make comments for a while, sorry! 

PS: The flat is under the vigilant watch of husband :-) 

Planning ahead!

As I am going to London next week, today I will only give you a part of the hilarious "The Diary Of A Provincial Lady" by E.M.Delafield -  (another part on Sunday) - to show you my mood and my amusement of watching myself...

July 17th. - Robert sees me off by early train for London, after scrambled and agitating departure, exclusively concerned with frantic endeavours to induce suitcase to shut. This is at last accomplished, but leaves me with conviction that it will be at least equally difficult to induce it to open again. (...)
Arrive at station too early - as usual - and fill in time by asking Robert if he will telegraph if anything happens to the children, as I could be back again in twenty-four hours. He only enquires in return whether I have my passport? Am perfectly aware that passport is in my small purple dressing-case, where I put it a week ago, and have looked at it two or three times every day ever since - last time just before leaving my room forty-five minutes ago. Am nevertheless mysteriously impelled to open hand-bag, take out key, unlock small purple dressing-case, and verify presence of passport all over again.
(Query: Is not behaviour of this kind well known in therapeutic circles as symptomatic of mental derangement? Vague but disquieting association here with singular behaviour of Dr. Johnson in London streets - but too painful to be pursued to a finish).
Arrival of train, and I say good-bye to Robert, and madly enquire if he would rather I gave up going at all? He rightly ignores this altogether.
(Query: Would not extremely distressing situation arise if similar impulsive offer were one day to be accepted? This gives rise to unavoidable speculation in regard to sincerity of such offers, and here again, issue too painful to be frankly faced, and am obliged to shelve train of thought altogether.)
(...)

Nocturnal Thoughts on Nostalgia

This term husband is giving his students a lecture on "Nostalgia" (come to think of it: it is a seminar, and the students are very young). So at home we discuss the phenomenon and I learn that the philosopher Arnold Gehlen said: "Only the acquisition, not the possessing is pleasure-oriented." (I disagree). Gehlen also speaks of boredom, tedium, inebriation, of consumer's happiness and the happiness of adventure, of Freud, Schopenhauer and Marcuse. He says that in the present exists no possibility of happiness. (I protest) He says that's why, to be happy, people develope images of happiness in the future - an utopia. But when this Utopia is realised - asks Gehlen - what shall we do then to escape boredom? "But when the phantasy of happiness radiates backwards, then we finally reach nostalgia."
Aha. I cannot find out if Gehlen thinks that nostalgia is a good thing, or if he is only describing different ways to (in his belief non-existent) happiness.
I have been quite a while on this beautiful planet, but I am not old enough for nostalgia and hope I will never be - so boring, dreaming only of past times glory. Don't get me wrong: I love history - personal and mankind's history - what I do not like is that sour "Formerly everything was better" (I can remember very well that it seldom was).
I think there are two kinds of nostalgia: I know a lot of people advancing in age who see their life as a series of losses - though they have had a very good life. Of cause they are right: everything has an end one day. A wonderful lover leaves, a dear friend goes away, a sister behaves very strangely - that's awful. But they only look back, and dream, and complain, and don't see what is now good, because in their eyes everything is getting downhill.
Then there is nostalgia when people are grateful for what they have been given at their time being, but accept (teeth-gnashingly) that nothing is forever, and are glad about that encounter or experience - this form of nostalgia leaves you energy to concentrate on what's still good around you. I refuse to cry (too long) about the cookie I've eaten. It was delicious - so what?
I think Mr. Gehlen needs not to struggle with utopia - the present is the only way to happiness I can imagine.
Though of course I am a long way from the Famous Wise One who hangs on a cliff - a tiger above him, a panther beneath him in the canyon - he sees that delicious strawberry growing on that rock he is hanging on with one hand - and, being a Taoist, he picks it and enjoy it with all his senses.

Nobody was hurt

"Yes - go and make a plan, 
be a bright chap, 
and then make yet another plan, 
both won't work."

said Bertolt Brecht in the Threepenny Opera.
My plan was taking a little stroll to the Charlottenburger Schloss - our Ascension Day was windy, but mostly sunny. And then I saw it: ten minutes ago that tree had crashed down - wrecking two parked cars, but hurting nobody.
So easily plans can be changed. (Note to self: Always leave the house ten minutes later).
I never forget how silly I thought a woman in a TV-show in Baden-Württemberg, who proudly showed her flat to the reporters: "Look here - I thought of everything. The whole flat is disabled-adapted - for the days when I am old." That woman was not a day older than 29 - (it is a long while ago that I saw it - so I could not anticipate the hilarious scene in "The Best Exotic Marigold Hotel", where a couple in England visits such a flat for old people, and the manager proudly shows the emergency button and a handrail on one wall to get there - "Why not put it diagonally through the whole room, if I fall down on the other side?" asks sarcastically the unnerved and still healthy potential buyer.)
No, really: the over-cautiousness is shere fright, the attempt to control everything, so that life might go on forever. But Life is a gloriuos mess. Planning is good - but as Tove Jansson's Snufkin says so wonderful:
"Nothing is stable and sure, nothing is ever really finished or say irrevocable. That is reassuring, isn't it?"

The (Prussian?) gardeners who planted the borders in front of the Schloss might have been afraid (or compulsively orderly) too: 

Scene of the Crime

Thank you for all those interesting tips you gave me on my last post! They will be the "free skating" in London, being in the same category as the special highlight, the Chelsea Flower Show with my German friend Anne, and maybe dropping in at the AGM of the E.F.Benson-Society in Grosvenor Chapel. 

And then there is work to do - as you might guess from the picture above. 

To find my way I pinned down how I will get to Canary Wharf, or Old Bailey (though I have been there before), to Charterhouse Square, and.. and.. and... 

If I get lost sometimes I will ask him: 

PS: If anybody is interested why I included a cookbook (use the magnifying-glass!) - it is written by George Baker - whom you might know as "Inspector Wexford". All the other beautiful regions of England and Scotland (I've already met Ian Rankin) and Wales, Yorkshire, Northumberland etc are still waiting for research. 

As the Hemuls in Tove Janson's Moomin Books remark so wisely: 

"But you can have no more fun as you create on your own." 

I'm sure I will. 

Travel nerves

Husband has developed an early warning system concerning my rising nervousness before travels.
I can hide it, but I cannot erase it. It is in my genes.
Which is especially funny as my late father, whom I miss so much, has not only seen most parts of the world, but also took us as children to many countries in Europe (with a VW and a tent, and the car packed as only a man from the marine can pack - my sister and I sat on the back seat on four sleeping bags, and when we finally reached our destination, in the early years my father built (!) a bench from wood for us to sit on - bringing with us the round camping table he had fitted exactly over the spare wheel of the VW (in front).

As I was the eldest and there were no sons, I was trained to take it all without batting my long eyelashes - so nobody who will err with me through the woods (in summer) will die of famine.
My father's family, the practical ones with the joie de vivre: restless. The names of my mother's family I can effortless trace back to the 16th century - they had always stayed in the 'Altes Land' near Hamburg - which tells everything.
Do not misunderstand me: I love to be in foreign countries - and, as I told you, I try every year a form of 'survival training' that makes some of my women friends shudder, (though my male friends get that cryptical glint in their eyes). For a whole month I stay on my own in an English or Scottish town or city where I know nobody - and till now I always managed very well.
I like to be in new surroundings - but I hate travelling. No, that's not right. I even like travelling: I hate catching the train. Flying is another cup of tea: I utterly LOVE to start and land - and as I go now by air I can be quite serene.  IF there weren't the question of clothes.
Husband smiles when he sees me puzzling over 'the perfect wardrobe', studying the blog 'The Vivienne Files' and drawing combinations of trousers, skirts and shoes (you always need at least 3 pairs - ballerinas, kitten heels (nowadays - a curtsy to age)  and loafers for trousers) I don't want to take too much luggage (though I always do - but I get better every time), I downsize, but then in June in England it can be cold (in Edinburgh two years ago people were wearing their winter coats, no joke), or rainy, or - as I experienced it as a student: there comes a heat wave. I like to be prepared! (Though nowadays there is always the possibility to buy something one has forgotten at Zara or H&M).
As you cannot help me with the weather forecast you can do me another favour, please: if you have special tips what I MUST see/eat/test in London, please tell me! Thank you!

Coffee & Culture

When you are walking through the oldest part of Berlin, Friedrichswerder, which was built at the end of the 17th century, you might need a rest from looking at the (still to be rebuilt) Stadtschloss, the Berlin Mint or the Bauakademie.
Can you imagine that - when you only want a cup of coffee - you have to pass a security control first? 'Put your jacket and the handbag into the basin, please', says the friendly security guard of the Federal Foreign Office in Berlin, then you walk through the scanner.
Yes - EVERYBODY has entry to the Atrium of the former Reichsbank. A fine Light Court with a historical panorama view through 30 x 20 metres glass wall - kept by a wire rope anchorage construction. Beautiful: the glass ribbons of the American artist James Carpenter, which change colour by light. The Old (1934) and the New Building (1999) of the Federal Foreign Office are impressing (you can see it as a whole only on a special visitor's day). The Old Building served as the Reichsbank from 1934 to 1938. In 1959 the Socialist Unity Party of the GDR chose it at their headquarters. The New Building was designed by the architects Thomas Müller and Ivan Reimann - with a stunning transparent facade of glass and travertine stone, three inner courts (sorry, you can only visit the first - and its 'garden' with citrus trees, mimosa and jasmine is very easy to take in).
Inside the Atrium at the left you find the Coffee Shop. While you drink your coffee you can look at the Friedrichwerder Church (built 1824 - 1830 under Karl Friedrich Schinkel) or the Bauakademie (from 1905 - they are restaurating it - you see only a Potemkin facade):

Even if you are not that interested in the building: the coffee is worth it!
("We use real milk with 3,5 % fat for the foam, not that thin UHT milk", the barista proudly tells me).  You can try this at home.




 

"Blackbird singing in the dead of night"

Looking a bit tired at the moment? 
Some of the culprits for what is commonly called 'springtime lethargy' might be our feathered friends: at 4:18 dear robin starts its song, followed at 4:28 by the blackbird, at 4:33 the wren adds its lovely tunes, 4:38 the great tit joins in, then at 4:58 the chiffchaff, and 5:04 the trillions of sparrows we have in Berlin, (and what they chirp I don't call song). 
Our sociocritical poet Bertolt Brecht, "poor B.B.", expressed it in his inimitable unfriendly way: 
"By morning in the grey dawn the firs piss, and their vermins, the birds, start to scream..."  
Old sourpuss - I prefer those noisy concerts to Rachel Carson's Silent Spring!  
Talking of birds: yesterday a biologist might have described the look that husband and I exchanged in the underground with the reaction of male sparrows when they have to listen to the songs of their competitors:  tartish. Our amygdala was tortured by two women (each with a child) who discussed the interesting details of a friend - "and then he said..." "and I said: What???" 
They sat far apart, so they had to shout very loudly - which didn't disturb them a jota, but the rest of the compartment looked pained (except those lucky ones with headphones on).  
Did you know that sparrows or blackbirds that live in cities trill their songs much louder than their country relatives? Most people think that they thus try to outdo the noise of cities - but Danish biologists found out that city architecture matters too: high houses reflect sounds in a different way, so they calculate the echo of buildings. And weather is important: the more it changes between damp and dry the more complex the sound sequence. They say. In Maryland researchers listened over thirty years to the songs of sparrows (oh my God - what a (wild)life!) and found out that only the melody in the beginning of their songs remained the same over time - the middle part changed drastically, the trill at the end became shorter and shorter by time.  
The sparrow-girls throw their little hearts to the boys with the most variations - 
"O fortune, fortune! all men call thee fickle" (Juliet in Capulet's orchard). 

"Spring lets 'his' blue ribbon..."

I can't believe it - this photo was taken by a friend of mine in the Botanical Garden in Berlin - exactly two weeks ago!! 
You see: there I am still wearing a thick coat (Alpaka - for those who might be on the way to catch their spray cans to protest against fur!) - and the huge model of a magnolia is artistically made from paper. 

Now another artist - Spring himself -  is at work. It's Real Life now, flowery scents lure and awake the senses, cool silken petals from blossoms touch gently the skin, sunbeams tease, off with that coat, no need to hold back - no glass pane between me and Life - 
you're welcome.  

Here my rough translation of Eduard Mörike's famous spring poem, written in 1892 (in German, "spring" is male)  

It Is Spring 
                                                                  
Spring lets his blue ribbon 
Flutter through the air again, 
Sweet, well-remembered scents 
Touch light and hazily the ground. 
Already sweet violets are dreaming, 
Soon they will come.  
Listen - from far away the faint sound of a harp! 
Spring - yes, it is you! 
I hear you coming. 

The Weeding Cultivator - Quote from E.F.Benson's "Queen Lucia"

"A yew hedge, bought entire from a neighboring farm, and transplanted with solid lumps of earth and indignant snails around its roots, separated the small oblong of garden from the road, and cast monstrous shadows of the shapes into which it was cut, across the little lawn inside. Here, as was only right and proper, there was not a flower to be found save such as were mentioned in the plays of Shakespeare; indeed it was called Shakespeare's garden, and the bed that ran below the windows of the dining room was Ophelia's border, for it consisted solely of those flowers which that distraught maiden distributed to her friends when she should have been in a lunatic asylum. Mrs. Lucas often reflected how lucky it was that such institutions were unknown in Elizabeth's day, or that if known, Shakespeare artistically ignored their existence. Pansies, naturally, formed the chief decoration - though there were some very flourishing plants of rue. Mrs Lucas always wore a little bunch of them when in flower, to inspire her thoughts, and found them wonderfully efficacious. Round the sundial, which was set in the middle of one of the squares of grass between which a path of broken paving stone led to the front door, was a circular border, now, in July, sadly vacant, for it harbored only the spring flowers enumerated by Perdita. But the first day every year when Perdita's border put forth its earliest blossom was a delicious anniversary, and the news of it spread like wildfire through Mrs. Lucas' kingdom, and her subjects were very joyful, and came to salute the violet or daffodil, or whatever it was."

Don't, Mr. Disraeli!

Thursday and Friday I made a trip to Hildesheim for cultural reasons. 
Husband exploited the situation to force beg me to look through some of the chests with clothes I hadn't (but might!) worn for years some time. 
Now, that most of the thousands of husband's books (no exaggeration!) are brought to a special very big room in the attic, I was asked to sort my books out, too. To our Berlin flat, husband and I brought only a small part of books from Hildesheim. 
But even that is too much. Soon, when you'll visit in Berlin an Oxfam Bookshop you might be surprised of the rows and rows of well assorted English literature. Some in leather and gold, some just Penguins. Most of them in very tiny print - and almost every one of them read by me. But it has come the time that I know (and admit ) that I will not read them again. Good bye, "Pamela - Or Virtue Rewarded" - thank you Mr. Richardson, I think I have been the only student at the University of Mainz who read all four of those very big tomes - and enjoyed it! - but I think I don't have time enough to repeat that. 
I'll keep the books I read again and again, but: Good bye, Mr. Trollope (except Barchester Tower), and to most of Mr. Thackeray - ("The History of Henry Esmond", which I translated for a German publisher I will keep, though I will not read that again either). 'Beowulf' I will keep, and Mr. Jonson, and I love 'Tristram Shandy', but I give away Bunyan's 'Pilgrim's Progress' - though I keep "Mrs. Fytton's Country Life" by Mavis Cheek, hahaha, even if you cry "Don't, Mr. Disraeli!"  
See: now I follow only my own enigmatic judgement, no need to impress anybody, and I do as I please. 

PS: I did what you should NEVER do when trying to get rid of books - I thumbed through Pamela - my William Heineman edition from 1902 has nice reproductions of 'rare contemporary drawings and with plates for the text' - and then I started to read - and ... I like it... will keep those... (but I am hell-bent not to thumb through Trollope)

The Collection Bayer

When you are in Berlin at the Potsdamer Platz, not everybody knows that you have to walk only a few steps to find the impressing museum, the Martin-Gropius-Bau. The building was erected in 1877 as an Arts and Crafts Museum. Since 1981, when the ruin had been restaurated, you can not only see exhibitions of photography and art, but also admire the building with its high atrium.  

Yesterday (they are open on Monday) I went to see the Collection Bayer (from the chemical and pharmaceutical international concern).  The paintings, normally hanging in the offices of their (important, I guess) employees are now "out of office", because the concern is celebrating its 150 years company anniversary. In 1909 Carl Duisberg asked Max Liebermann to paint a portrait of him, which was the foundation. At first the concern bought paintings to educate their employees - now they own over 2000 works of art.  
It is the first time that 240 of their works of art are presented to the public. And the names of the artists are exquisite: Ernst Ludwig Kirchner, Karl Schmidt-Rottluff, Max Pechstein, Emil Nolde,Max Beckmann, Lyonel Feininger, Georges Braques, Pablo Picasso, Joan Mirós, Gerhard Richter, Sam Francis, Andy Warhol - to name a few. 
The exhibition is divided into four parts: German Expressionism, École Paris, After-War-and Informal Art, and American modern art.  I liked a drawing of David Hockney, "Rapunzel" very much, and of course Emil Nolde's paintings. As  nobody is allowed to photograph, you have to put up with the poster, sorry.  

Solved: The Riddle of a Literary Garden Quote

Fancy an educated guess who wrote this in 1892? 


April 14. Spent the whole of the afternoon in the garden, having this morning picked up at a bookstall for fivepence a capital little book, in good condition, on Gardening. I procured and sowed some half-hardy annuals in what I fancy will be a warm, sunny border. I thought of a joke, and called out Carrie. Carrie came out rather testy, I thought. I said: 'I have just discovered I have a lodging-house.' She replied: 'How do you mean?' I said: 'Look at the boarders.' Carrie said: 'Is that all you wanted me for?' I said: 'Any other time you would have laughed at my little pleasantry.' Carrie said: 'Certainly - at any other time, but not when I'm busy in the house.' 
                                                                                        " 

The Practical and The Beautiful

We all know that hackneyed old Zen-phrase: "When the student is ready, the teacher will appear." 
Well - I changed that a bit: often when I need something I find it among the things that are already there. 
As in this case. 
Suddenly I decided that I need a standing desk. Had worked so much at my computer, sitting hours and hours at my desk. 
So I looked up catalogues, internet and whatsoever - and what I saw I didn't like. And I wasn't that sure either whether I would really use it - had never had one - and thought: I don't pay 400 Euro for a whim of mine (I know me by now) - and then it might be useless... 
And suddenly I "saw" it. In my mind. A flashback. 
When we moved into our flat in Berlin, somewhere a wooden fire screen stood in a corner - and as I only love things that are either beautiful or practical - most happily both - it went down into the cellar because I wasn't sure of either. 
But guess: it has the absolute right height for me! Couldn't be more perfect! And, as you see, there was a place for it. 
So you see this woman now, switching back and forth between sitting, standing, tickling the keys of my laptop. 
I'm still not sure about "beautiful", but "practical" it is. 

PS: A little appendix: "And after some days my back is better now - after schlepping that thing up", said husband. "In your post you might get the impression that that thing flew up but itself. You have omitted that part." Well - now you know the whole truth. Thank you, Hans!  

EXPRESS your Gratitude

It is a truth universally acknowledged, that you are happier when you feel grateful. 
I found out that I feel even happier when I express my gratitude. 
It is so easy to overlook the many incidents one can be grateful for - sometimes on a single day I feel that I get more 'presents' without a special occasion than I got as a child on a birthday! 
We all have a lot to do - so we might overlook the things we can be grateful for. 
- That's why I have a diary into which I write almost every day at least five things that made me happy and thankful - you will have read about doing that in many books on Happiness. Just try to do it!  
- And I invented for myself a sketch-book into which I draw one of those lucky reminders. It is not important whether I draw them artistical or not - it is the time I spend really looking at a thing. It is so easy to grab an item one got as a 'gift' - and then, like an overeater, swallow greedily the next. 
When I draw the lines of a cup of coffee, or a blossom of a magnolia, I look intensely, and thus value what is before me more than by just mumbling: "Oh, great, thank you - what next?" 
By the way: Only a few people know the Art of Saying Thank You. I remember those young people who did after advising - by e-mail, letter, telephone-call - better than those who intended to, but forgot. And though I work for all of them correctly, as I remember those others who said 'Thank you!" better I might sometimes find an extra for them weeks later. 
So: if your professor took the time to read your paper very carefully/ or your dentist gave you quickly an appointment/ or your haircutter did a special job - though they all get paid for it, it doesn't harm to acknowledge your gratitude by saying 'Thank you' (when you mean it). 

Let softness be my motto.

When I look back over the last two years, I get the impression of a constant battle. 
Nothing to do with our move to Berlin: that was my idea, my wish - (even a  prediction: as a teenager I wrote into my diary "Berlin is the town I want to grow old in.") It was the right move. 
No, I fight on another field. And though there are 'host of heaven' with me - I am part of the Baby Boomer Generation - it is a lonely fight. The inevitable fight: growing old. 
At first I did the obvious: I closed my eyes. 
"Not me!" I thought, seeing that I do very well in comparison. (Comparison is a vice in the books of the Wise!). And a lot of people, among them beautiful men, say gently: "But you don't look old!" Thank you. 
But: It's Lombard Street to a China Orange. A look on my birth certificate... 
What is worse than a number: to go through the world with closed eyes is really stressful. 
I never photoshopped or botoxed or had a nip and tug, never, and I never will. But I do quite a lot to keep my figure  health. And my stamina. My brain. My joie de vivre. And Verve. 
I will talk about that in posts following this. (Not Elvis, but half of the 'blog members' have left the building by now :-) 
But first I will do the most important thing: accept and admit it: Ageing. 
Of course I do it in the wayward Taoists way: by embracing the enemy. Trying to foresee the blows and thus avoid them as good as I can. 
All that in order to thrive, not just survive - balanced in the very midst of events. 
Let softness be my motto. 
  

Collecting Berlin's Underground

I might have told you: I am a collector - with my camera. I collect sun dials, balconies, shop window dummies, beautiful cars -- to name a few --- AND photos from impressing undergrounds. 
The first year in Berlin it was a bit difficult for husband: I always jumped up and down and cried: "Wait! Wait just a minute! I have to ..  click...click..." 
It is so utterly fascinating that they are so very, very different! As a true collector knows: one becomes boring offering too many snapshots -- so here only a few... 

Biedermeier Currant Bread

You need an iron constitution to get over so many festivities as in the last four months. So: Happy Easter! 
When I came back from a wonderful weekend in Munich (happy that each time the flights were only one hour late because of the snow), I had to enter the place where in ye olde days a woman had her place: the kitchen.  
Son & DiL had hinted politely but firm that they were longing for the annual "Biedermeier Korinthenbrot" - a speciality that it is so called because it is modest (not too much sugar, not too many currants - though I throw a few more into it :-) and aromatic (by vanilla sugar and  lemon peel, but - you guess it already: not too much). 
The bread as such does not look modest: it is enormous, shockingly voluptuous (no, I didn't mean volumnious, which it is too) : 

I always cut it in two parts - and half of it goes to Munich. 
But I have to plan like a Prussian: on Good Friday (almost) nobody is working. 
And the post nowadays is not as reliable as it - once upon a time - had been. So: if I take the risk and send the Easter-Bread on Thursday it might happen that it will not arrive on Saturday - and then - oops - they will get an After-Easter-Bread; because Sunday and Monday (almost) nobody is working. 
(Crumbly dry cake reminds me of of a typical story fabricated by my sweet grandma - the working(wo)man - : with the best intentions she sent my father a parcel with home-baked cake from Göttingen, Germany, in war-time, to Madagascar, his first POW-station before England. It took some time... :-).  
So I baked on Wednesday. Packed it. Paid extra postage to be sure that it will arrive in time. 
And - after a few difficulties too laborious to tell (here I cut the story, not only the bread) it arrived in good condition.   

Happy Easter! 

Happy Easter!

"It is winter proper; the cold weather, such as it is, has come to stay. I bloom indoors in the winter like forced forsythia; I come in to come out..." 
Annie Dillard 

You can keep your hat on!

Tomorrow I'll fly to Munich - to visit Son and lovely Daughter-in-Law. 
AND to go to Ina Böckler. http://www.huete.de/ 
Ina Böckler is one of the few Grande Dames of milliners in Germany. She made hats for the stars and starlets. And one for me. 
It looks much prettier as in the photo above (and I hope me too - I pout - not very becoming at all, not becoming for the chin). 
But I had a reason. 
There are times when one should try to conform oneself a tiny weeny little bit to one's age. No danger that I will exaggerate that (if - then more into the other direction:-). 
Above I am in the pouts because Son had used an example that convinced even me: 
"Mama", he said, "per se it is a lovely hat. But if I drive a Pontiac Firebird (which he did at that time - the apple never fells far from the tree) I do not paint it pink as an extra." 
Home truth. Now - I think very highly of his advice. So I put the hat in its beautiful blue hatbox. Away. Grinding my teeth. 
And then last summer in Munich I saw that Ina Böckler's hat-atelier was sold to a new milliner. And they do alterations. So yesterday I telephoned. 
And will bring her the hat to change the pink fox ("We'll make a nice collar of it!" she chirped) for a silver-grey fox (my idea). 
I'm really curious if it will work out. 
But I "see it". 
And to be forearmed I will read a book on the flight which arrived yesterday: 
"Going Gray. How To Embrace Your Authentic Self With Grace And Style" by Anne Kreamer. 
Ha - never any problem with that. 
So: the fox will be silver - but the remainder of the hat will stay -
                                             PINK! 

Franz Theodor Türcke - and a bit of luck

I cannot remember the subject :-) , but a few weeks ago I read on someone's blog the comment: "If you have seen one, you have seen them all" - and I thought: "Oh no, you are absolutely wrong - and either you don't have any experience at all but want to appear blasé - or you are going through the world with eyes closed." 
I don't appreciate the one or the other. 
If you open your eyes - and, even better: your heart - you see that the world offers a gorgeous orchestra of choices of apparently (!) the same thing. 
Now people are whining about the snow. 
OK - I would prefer spring too - but: "It is as it is." So on Sunday I put on warm clothes and went outside into frost and snow. And found at a Berlin flea market a little picture which I liked. 
"Many people have looked at it but put it back", said the man behind the table. 
"Maybe because of the subject", I said, "nobody wants a picture with snow now." 
But as I liked it, I asked "How much?", and the sum was so small that you wouldn't have got half a ticket to the Astor Lounge cinema. 
I bought it (and felt a bit silly), because it looked simple, naive, childlike - but I liked the atmosphere. 
A signature was scribbled with pencil beneath it (same writing as the words "Original Drawing") - that was beautiful, but almost unreadable. 
Almost. 
At home I looked with a magnifying glass - I am good at deciphering (and have a sort of eidetic memory) - and after a while I found out: the signature was F. Türcke. 
The Internet informed me: Born 1877 in Dresden, deceased in Berlin 1957. A landcape painter who studied at the Berlin KA at Eugen Bracht. 
Pictures (mostly oil) of him were sold at Christie's, Burchard Galleries Inc, and there are a lot of Americans who collect him. An auction house in Dresden offers to take anything of him to sell it. 
I don't know whether that includes a little drawing like the one I have found. And I will not sell it. 
I just want to look at it and feel happy because I like it - and had my eyes open. 

Spring clean - but the full monty!

In our family we have a special expression for that feeling of being stuck: we call it "to be on a plateau". There are many occassions when one might feel this way: in parenting, in a new city, at your working place... Nothing moves, the air is leaden, something has to change, definitely...

When I feel stuck - and at the moment I do - the first thing I do (after sulking - contemplating to jack it all in - then thinking hard) is: creating order. 
When I am speaking of spring cleaning (the full monty) I am not speaking of household alone. 
As you know I have written a book about That - solely addressing young men, whispering into their ears the secrets of How to Do It). 

No, when I say: the full monty I mean spring-cleaning for home, body, mind and soul. (Not that I do it necessarily in this order). 

Today I stared at the snow on my balcony - ugh! - and howled at the pale sickle moon at night. And then I had enough. 
Enough, Enough, Enough!       Clapboard the third: Action! 

1.) I went to my smashing Turkish hairdresser at the Alexanderplatz (only very young people there, all in black leather, tattoos and interesting haircuts) - and his knowing hands shampooed and massaged and then that wizard took his scissors and performed magic. 
Never change a haircut when angry or sad, said wise Sophia Loren; and I didn't change it utterly (and as all my hairdressers before, especially the maestros, he flatly refused to dye). But I was very content with the result - thank you, Süley!  

2.) I telephoned and now it is official: after the trip to the Chelsea Flower Show I will stay for almost a month in London. I'm looking forward to that (and how I prepare I will tell you soon). 

3) I briefly thought about using house-cleaning method no. 3 from my book - the "Elizabeth-Taylor's-Who-Is-Afraid-of-Virginia-Woolf-emergency-cleaning", but rejected it - no, I wanted real spring cleaning (the rays of the March sun are merciless, on windows and face). 
So I chose method no.5: I pretended to hire myself. (It helps definitely to watch before the DVD with Lucy Eyelesbarrow (Jill Meager), that paragon of household efficiency  in 4.50 from Paddington (with Jane Hickson in Agatha Christie's Miss Marple, of course!)
When I hire myself I work like an employee - I take a timer after binding my pinny (by the way - did you notice how wide awake a lot of men become when you casually mention your interest in aprons? Really interesting subject, it seems. Try it!)  - well, and then I work, with elbow grease- and when the timer says "pling" I stop. Unbind my apron, leave the house and return tomorrow - at the appointed hour. 
See you! 

Blue Suede Shoes

So it's SNOW again. 

They told me so on the radio, yesterday morning, but I wouldn't listen. 

Put on my Blue Suede Shoes (they are black and really cute boots, made for showing-off, not walking through slush). 

Well, He that will not hear must feel. 

Which I did. 

Though: I don't need much time to adjust. Put my face up to the endless grey sky and love to look into that swirl of snowflakes. Thick, feathery ones, dancing before the eyes, caressing my face, melting oh so softly. 

I went to meet three "old girls" from my school in Bremen, here, in Berlin. One of them is my friend since school days - the other two I hadn't seen for umpteenth years. 

How come, that all of a sudden, these school pals discover the urgent need to meet each other? They hunt through Facebook, search Stayfriends and  whatsoever. 

Before: nada. Once in all that time (exactly: one year after leaving school) we had met. Then never again. 

(Except the 4 real good friends whom I see every year several times, and write, and telephone). 

Class reunions make me think of Franz Joseph Degenhard's song, "Old friends" (here is a very rough translation by me): 

"Sometimes you meet in your home town

somebody who - long time ago - has made baloney with you, 

now he stands still and asks: 

"Have you still...? Are you still...? Do you still remember...?" and "Do you still do...?" 

And though nobody wants it you are suddenly silent. 

Suddenly Time grins between you two, he's laughing out of embarrassment ... 

You count all the years and look for your own true history in the face of the other - 

and you can't find it." 

Well, yesterday it was only a 'mini-reunion', and it was nice. 

Nobody stepped on anybody's suede shoes. Only the snow. 

And in October I will see them all again, in Bremen then. 

The Busy Bees of Berlin

This photo I took last year - sitting on our balcony, watching with all my peace of mind the BBBs (busy Berlin Bees).
As I told you then in my blog 'Gardening in High Heels', a huge lot of hobby beekeepers in Berlin put the beehives on the roofs of hotels or museums, on the Berlin Dome or the house of representatives. You can buy (expensive) Berlin honey - and the bees thrive, because here in town the trees are not sprayed with insecticides, and the air in the city is warmer.
In Germany, I read, there are 94.000 beekeepers with 750.000 bee colonies.
I have a deep affection for bees, because my grandfather H.v.K. (the eccentric one) was a hobby beekeeper. As a child I followed him when he - all in white with his big hat with the net over it, and the enormous pipe in his mouth - attended to the bees. The honey he collected was wonderful - and when sometimes I trod on a bee and cried with pain he consoled me with the promise that by that I would never get rheumatism.
Today my doctor, who had tested my blood to see whether I am allergic to gnats, told me: "No, everything is fine. BUT - they found out you are highly allergic to bees." She recommended an emergency kit - and eventually desensitisation. (When I learned that for this I would have to stay 6 (!!) full night&days in the hospital Charité - and yesterday I read the article in the Guardian how to reach old age, wisely recommending "Stay away from hospitals" - I said "Thank you, but thank you no.").
Now: I am not (utterly) unreasonable: I will buy that kit. Put it into my bag.
But when today - of course it had to be today - the first bee of the year came to my balcony, I said: "Hi, friend, I'm not afraid." I know that bees - other than wasp, which I am not allergic to - only sting when irritated. (OK - one might sit on one and she will find that somewhat irritating).
Taking a spoon full of delicious honey I consider buying a blue balloon instead.

"If you have a blue balloon, they (the bees) might think you were only part of the sky (...)." 
"Wouldn't they notice you underneath the balloon?" you asked. 
"They might or they might not," said Winnie-the-Pooh. "You never can tell with bees." 

I am a Mymla!

I do hope for your very own good that you know the Moomin books of Tove Jansson.  
"What?", I hear you say, "Moomins? Aren't they children books?" 
Yes and no. 
They are the best guide to know people (Tove never drew a character only in black or white). I am convinced everyone of you knows a few Hemulen: 

 "..a great lot of enormous, rollicking, talkative hemulens who went about slapping each other's backs and bursting into gigantic laughs."  "(...) and in their spare time they blew the trombone or threw the hammer, told funny stories and frightened people generally. But they did it all with the best of intentions." 

I am a mymble. A Little My. My mother must have known that from the beginning, look at my hair. 

So Maman did everything to train and tame me. 
But though I became a Lady, I'm a wild one, always preferring Snufkins to Moomintrolls :-)  

"Yes, Moomintroll, always waiting and longing. Moomintroll who sat at home, who waited for him and admired him, and who always told him: Of course you have to feel free. Naturally you must go away. I do understand that you have to be alone at times. 
And all the times his eyes were black with disappointment and no one could help it.  

I was lucky: husband is a hybrid of both, romantic in a very male way. 
I really adored Moomin Mother - that selfless, warm, utterly unselfish broad-hipped creature with the homely apron and always a handbag at her side. But try as I might: I was not her. (And so much homeliness seems to have driven Moomin Papa into this obscure adventure with the Hattifnatts...) 

So: Do you know which of the many little characters of Tove Jansson you are? (Very unlikely that it is "that one, who is living under the sink"). 
Who is fetching his trombone? 

No Gibberish!

At the moment I have a lot of entertainment - and that moment  will develop into a span of at least two years, mildly calculated - because I am writing about entertainment. (So bear with me if I am not always quick on commenting).
It is fun - to a certain degree. It is hard work too.
Sometimes - when my ears finally get used to the Geordie accent of Northumberland that Brenda Blethyn trained for 'Vera' (Blethyn comes from Kent), I have to re-learn: now Dalziel and Pascoe bring me to Yorkshire, or Rebus is waiting for me in Edinburgh.
As long as there are subtitles: no problem. Otherwise: Oh dear! You see this woman with a fountain pen, a pad (without " i-") and a remote control in her hand - STOP! Stop! - what did he mumble?
Thankfully a dialect in TV-series is always more garnish, not the real thing (then I would be lost).
                                                      Ah -watching those beautiful various landscapes I feel my blood tingle: high time to plan my annual GB-Adventure! As always I will visit for 1 month alone a town or city, totally unknown territory, totally unknown people. The last stations were Hastings (want to join the chorus: "Why Hastings?" - it was lovely!), Edinburgh, London. I have to find a flat share again (there daily life is so much more amusing then in a hotel or B&B).
Once a year I test how good I function on my own, how easily I find acquaintences and even friends (and I always did - nobody shall tell me again that the Scots are reserved - luckily they weren't).
Before I find the region that I will go to this year (suggestions are very welcome!), I will make a shorter trip to London: the tickets for the Chelsea Flower Show and the hotel are already booked. My friend Anne and I talked about doing it so often - now it assumes shape.
Maybe we'll collect a small bunch of Rosemary & Thyme  :-) 

Cad (Welsh for fight), mael (Welsh for prince)

Oh no, you're not in Shrewsbury, nor in Budapest - where, as you might know, they built the TV set for 'Cadfael'. These (still) are Britta's letters from Berlin - and as I am writing about a tiny aspect of Cadfael at the moment, I thought: why not take a day off and look what Berlin has to offer from the Middle Ages? 
Above are the ruins of a Franciscan monastry, the building started in 1250, the three aisled basilica in 13th and 14th century, destroyed by bombers in 1945. 
The Fernsehturm (TV Tower) at the Alexanderplatz overtowers everything: also the Marienkirche (St. Mary's Church), built in the Middle Ages when Berlin and Cölln were twin towns. What wasn't destroyed by the war often was razed by the city planners of the GRD - they had not much money for restoring and wanted space and place for cars.

There is ample space now - right in the middle (Mitte) of Berlin (normal rush hour on a working day!): 

Without any hidden agenda about that they try to restore the Dance of Death in the northern tower vestibule of the Marienkirche (St. Mary's Church): 

And if you come to see the Heilig Geist-Kapelle (Holy Spirit Chapel), also nearby, built in 1300 as part of the Holy-Spirit-Hospital, and now surrounded by the Humboldt-University of Berlin, mind that you come on Thursday from 12:00 - 13:00 - otherwise (as I) you have to peep through a little window at the beautiful  'starry sky' of it: 

Very near is also the oldest church of Berlin, the Nikolaikirche (St. Nicholas Church), built between 1220 and 1230, but I was a bit frustrated because today it is only used as a museum. 

Cadfael I haven't met, and, though we have the Berlinale film festival at the moment, I am sorry to say: nor Sir Derek Jacobi (oh would I have loved that, he has such a beautiful voice!). But even that voice couldn't have lured me into the Middle Ages which I see as DARK - I have a very distinct vision what they would have done with a woman like me :-)