Britta's Letters from her life divided between city-life in German's capital Berlin and life in a Bavarian village

Saturday, 23 November 2013

A letter, written in the morning (in case you have any doubts...)

Britta Huegel


Dear Darlin',

yes - trust your eyes: I remembered!
Remembered - (in the back of my head I hear a song "Try to remember the kind of September/ when life was slow and oh, so mellow. ... and if you remember then follow, follow, follow me..." - - who sang that? Ah, yes - Barry McGuire - honestly, till this moment I didn't think of this chap for decades!) - I mean, suddenly (suddenly?? It took me a whole year!) I remembered why I had changed my flourishing blog "You are Witty and Pretty" to pining away "Berlin Letters".
I wanted a change a focus!
I wanted a bracket, a brace or a staple to give my random, rambling posts a sort of unity. But, much more important: I wanted my blog to be more personal. I mean: I have the feeling to know some of you better than just acquaintances, mere ghosts in the www - I have quite a distinct image of you, by your writing, through your comments, or even by meeting you in person - and I really miss you when you go on a holiday, especially such a long one as Pondside (who acts the part of "The Silent Traveler" in China)!
So in that year dot I made up my mind to write letters to you, Darlin'.
Tentatively I started out with "Dear" - as you'll still find in my comments to your adorable posts - but that sounded so very old-fashioned to me. I KNOW that 'Darling' might be even more old-fashioned, and if for a second I would believe that you associate it with "Dear Darling", that song by Olly Murs, I would be ashamed to use it - I mean: that song has a way to worm its way into your brain - and the only way to delete it that I know is to watch the silly video on Youtube: Olly is a pretender, my dear girl: I think it right to warn the young ones among you, though I know this sort of warning is utterly in vain - never has the warning of a well-meaning experienced (much nicer than 'older') friend (the futility is expressed in the word 'well-meaning' - we all know that it means: completely without effect) - kept a hot-blooded girl from running into - now this might surprise you: JOY (you expected: unhappiness, didn't you?). I found out, till this very day, that it is a good thing to follow your impulses/intuition. (Well, a bit of thinking in advance doesn't hurt). In the Threepenny Opera our poet Bertold Brecht wrote the beautiful Barbara's Song (part here roughly translated by me)

And if he has money, and if he is nice, and his collar is clean even on workdays,
and if he knows how to behave with a lady, then I say to him: “No.”
Then one keeps one's head up, and stays in the most general sense.
Sure, the moon shines the whole night,
sure, the boat is tied up at the bank,
but nothing more will happen.
Well, you know, one can't just lie down, one has to be cold and heartless.
Yes, so much might happen, but alas, there is only a: No!  

NO! But that other chap - no clean shirt, even on Sundays...
Well, I seem to digress (a speciality of mine).
What I mean is: how come that I forgot about writing you letters? 
In real life I write a lot of them - some even on paper, though most of them as emails now - and I love to receive them. Think with glee of the postman in Hamburg, who once rang at my door and delivered a very special postcard personally, saying: "I had to see the woman who gets such postcards!" (it happened four years ago - he must have read it - or at least looked at the front side - postmen are not the same any more in Germany since they lost their status as civil servants...).
And so I dare to be as daring as him, and write egocentric (yes, I know myself by now) rambling letters to you again, Darlin', and I hope that you like it and join in with Barry McGuire,
"and follow, follow, follow me..."

Yours
Britta


Thursday, 14 November 2013

Really, Really Vexed with 'Vogue' editor Alexandra Shulman who finds older women hideous

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Today I want to share an article from The Guardian with you - because I really got furious when I read it (and it is absolutely irrelevant whether you are 48 or 60: the Vogue speaks of women over 30!). I'm not a subscriber of 'Vogue' - which I regret, because otherwise I could unsubscribe now.

"...it appears that Alexandra Shulman, editor of Vogue, feels that elderly women trying to be fashionable are "slightly ridiculous and absolutely hideous" (When fashion ends at 30, G2, 5 November). !

from this I quote: "Shulman, who says: "I don't think people do really want to look at older women as … exemplars of fashion and beauty." Why? Because they would look not only "slightly ridiculous" but "absolutely hideous". Vogue may talk about older women, but it doesn't show them. Older for Vogue means over 30."

I cannot imagine that any woman, being a few days over thirty, will support that magazine.
This was the link that made me find the insult:

http://www.theguardian.com/society/2013/nov/08/older-women-hideous


Monday, 11 November 2013

You See What You Expect - But Sometimes Glorious Life Adorns It.

Britta Huegel


At the moment I'm writing an essay about the garden of Schloss Charlottenburg in Berlin.
I read a lot about this theme complex (even, for the first time in my life, an 'historical novel' about Sophie Charlotte (1668 - 1705), who begged for this garden - quite amusing to see that King Friedrich I.  ('Sloping Fred') always sent her a mounted messenger with a red velvet cushion when he wanted to visit her in a special mission.
But I digress. What I will write about is my discovery that sometimes you only see something when someone else has mentioned it. At least I. How many times I have been in that park, looking attentively, always joyous because its very special width has a betwitching impact on the light; the beautiful canvas of the sky often gives his performance as Italian light blue charmer.
But never had I discovered the bust of Queen Luise (not even, I am ashamed to confess, the little Luisen-island, which 1799 was ordered by King Friedrich Wilhelm III - and when I finally found it, it took my three visits till I discovered the bronze bust - very well hidden behind a sitting place with benches and bushes). This confession will make the ardent worshippers of Queen Luise hoot with derisive laughter. Oh yes, she still has a wide group of devotees (one is an aquaintance of ours, living in Hannover, whose house is brimming over with very precious antique devotional objects - a bit surprising to me, but very charming).
But back into the park: I learned that sometimes one has to know what to look for - only then you will follow your quest and not despair till you find it, knowing in your heart: it must be there!
As it was. Added by a big surprise: somebody had adorned it!
That devotion - so simple, but so gorgeous! -  brought a smile to the somewhat sad features of the queen.
And it was done with style, simplicity and a keen sense of beauty.
Look:

Britta Huegel


Britta Huegel


Sunday, 10 November 2013

For Tetchan: 'Molly', the Steam Railway in Heiligendamm

Britta Huegel

When I read Sapphire's lovely post about 'Cosmos flowers and the Kururi Line', I promised in my comment to show a few photographs of 'Molly', which I took in Heiligendamm.
Tetchan, I learned from Sapphire, are Japanese rail fans.
In 1886 Friedrich Franz III, Grand Duke of Mecklenburg, granted a concession to build a narrow-gauged rail, which run from Bad Doberan to Heiligendamm, first only in summer. Later they enlarged the route and even added freight traffic to Rostock, which was not a success because of its narrowness, so they gave that up in 1969. 13 trains a day were driving.
Today it is still used, in high season at hourly intervals, otherwise every two hours, driving between Bad Doberan via Baltic Spa Heiligendamm (where it became famous at the G8 summit, being the only medium of transport for the journalists) to the Baltic Spa Kühlungsborn.
It is called 'Molli' now (but the gender is male, it is surprisingly 'der Molli', a HIM).

Britta Huegel


Britta Huegel





Thursday, 7 November 2013

How to Prolong Pleasure




Britta Huegel

Not what you (might) think (though: why not? As my statistic shows, I have the 'one-and-only-pleasure seekers' in great numbers on my blog, not as followers but in an explicit audience-address at stats, can't get rid of it) 
No, I'm speaking of how to make the most out of something. Out of Everything. 
Example: my balcony. 
A friend of mine sent me an email last week - she was busy to winterise her balcony. With blankets and foil - the whole program. 
"But my roses are still blooming", I said. "And my other flowers too. So why should I?
To cut a pleasure "to be prepared" is in my eyes such a waste! 
Of course, if I still were a gardener, I would start by now in the very last edge, but I have only a big balcony now, I have the weather forecast, and I have strong arms to rush out when frost is sneaking up at the walls of our house. "Don't be such wimps!" I'll shout at my roses, "in real life instead of such a sheltered home as here you will be able to endure those little frosty tweaks!" I might even read to them the chapter out of Saint-Exupéries 'The Little Prince', (no, not the worn thin 'heart thing') to show them that I see through their ridiculous prim affected behaviour... 
Pleasure - my big theme at the moment. 
We are so short of really enjoying pleasure, I think. 
I have a DVD with a beautiful film of Emir Kusturica - Black Cat, White Cat - skip the advertisement and please, please have a look at it, it is such a wonderful film! (Here they put English subtitles underneath, but I think there exists a synchronised English version)



As I wrote to a young German friend about his film 'Danube Sounds' yesterday: 

"... I love their equanimity and their zest for life, the modesty and the pride about the own accomplishments. It doesn't matter whether the trousers leg has a rip: those people live! (...)  They do something with their own hands - this seems to be important to me: if you have to produce something for your own life, it makes you vivid, and proud - here at home they often buy one meagreness after the other, but that doesn't fill their souls, bores them soon, and has to be replaced quickly." 

No - you don't see me running for the 'simple' or 'better' life, I am not one in social romanticism - but I try to bring pleasure into my life by doing and enjoying things. 
Can you imagine: in a survey of a big German health insurance people complained about stress, stress, stress - that might be so, though I bet the generation of my parents had a lot more stress - but when you scrutinised the answers: they counted cooking as stress! Gardening, cleaning the house, looking after their children: stress! 
I think we need a lot of rethinking here. 
This morning, when I woke up, I felt the wonderful warmth of my eiderdown, listened to the drops of rain that clonked on the metal windowsill, lolled and thought: 
"What a wonderful world. Thank you!

PS: Of course now all the sourpussies of the world will tell me that it is not the norm to have an eiderdown, or even to have a roof over my head - I know that, thank you very much, but hey: this is my life - the only one I got - and I am thankful for that! At least I appreciate it - and I think that is quite a lot. 

PPS: If you wonder about the photograph: it is so weird: I took away a sedum which stood in a darker corner beside that draggon - and one stalk tore off - and when I looked at it, three months later: it was still as fresh as a daisy! It is making the most of it, I bet. 




Friday, 1 November 2013

Very Discrete Presentation of Some Narrowboat-Musicians


Now I want to introduce to you some musicians who were with me on that narrowboat.
Above: Look at the drummer Raphael Kaletta of 'Cats and Breakkies': he was our youngest crew member.
And if I were more technically versed, I could give you a glimpse of a big project he is involved in, but I can't, so please look this up:

http://www.indiegogo.com/projects/danube-sounds 

This is so fantastic - here you also see 'our' drummer in a road movie record on a beautiful DVD - they play music with many different bands all along the Danube river.

He also plays in a Jazz-Trio Ponciana 

Another musician is  Chris Alastair, here a song from one of his DVDs, 'Putty in your hands':

http://www.lastfm.de/music/Chris+Alastair/Sah+Sex+Pleek/putty+in+your+hands

And our captain, Matti Mueller, who "is" three bands:
"Trouble at the Mill",  "The Milltones" and "The Madrigal Minstrel Four"
Here is his homepage:

http://www.muellermusik.de/index_main.htm

first click on the band you want to hear, than: music.

All these musicians are doing their own thing - on the boat it was just a friendly meeting, with three other musicians (a French saxophone player; a singer, and an English guitar player - but I could not find their DVDs).

So much fun to have them on that boat!









Thursday, 31 October 2013

Get the Creeps! (And May I help You...?)


Britta Huegel


The last day of October - might I send you a postcard to Halloween?
"Isn't it weird?", asked husband - who is a connoisseur of many things, but not of nature's wild life, "that today I still saw a swallow in the backyard?"
Weird indeed - because it was a sweet little bat - fluttering in her inimitable soft-hectic loudless way through the twilight.
Are you in the mood already? Or are you like the youngest son in Grimm's fairy tale: "Von einem, der auszog, das Fürchten zu lernen", "The Story of a Boy Who Went Forth to Learn Fear"?

A father had two sons. The oldest one was clever and intelligent, and knew how to manage everything, but the youngest one was stupid and could neither understand nor learn anything. When people saw him, they said, "He will be a burden on his father!"
Now when something had to be done, it was always the oldest son who had to do it. However, if the father asked him fetch anything when it was late, or even worse, at night, and if the way led through the churchyard or some other spooky place, he would always answer, "Oh, no, father, I won't go there. It makes me shudder!" For he was afraid.
In the evening by the fire when stories were told that made one's flesh creep, the listeners sometimes said, "Oh, that makes me shudder!" The youngest son would sit in a corner and listen with the others, but he could not imagine what they meant.
"They are always saying, 'It makes me shudder! It makes me shudder!' It does not make me shudder. That too must be a skill that I do not understand."

May I help you? Learning that skill?
As I love the poems of Annette von Droste-Hülshoff (1797 - 1848), and couldn't find a translation, I did (roughly - come on, we have Halloween - and I have to get that damned bat out of my hair!) one for you:

Der Knabe im Moor                                           The Lad in the Moor

O schaurig ist's übers Moor zu gehn,                                      Oh it is scary to walk through the moor, 
Wenn es wimmelt vom Heiderauche,                                       When it seethes with heather smoke, 
Sich wie Phantome die Dünste drehn                                       When phantom-like the vapours twirl 
Und die Ranke häkelt am Strauche,                                          And the bine crochets at the shrub, 
Unter jedem Tritt ein Quellchen springt,                                   Under each step a tiny fountain wells up, 
Wenn aus der Spalte es zischt und singt,                                  When from the crack it hisses and sings, 
O schaurig ist's übers Moor zu gehn,                                       Oh scary it is to walk through the moor, 
Wenn das Röhricht knistert im Hauche!                                    When the reeds rustle in the breeze! 

Fest hält die Fibel das zitternde Kind                                        Firmly the shuddering child clutches his primer, 
Und rennt, als ob man es jage;                                                And runs as if it he is hunted; 
Hohl über die Fläche sauset der Wind -                                    Hollowly the wind swishes over the land - 
Was raschelt da drüben am Hage?                                           What fissles over there at the grove? 
Das ist der gespenstische Gräberknecht,                                  That is the spooky grave-servant, 
Der dem Meister die besten Torfe verzecht;                              Who boozes away the Master's best peat; 
Hu, hu, es bricht wie ein irres Rind!                                         Whew, whew, something breaks forth like a freakish ox! 
Hinducket das Knäblein zage.                                                   Despairingly the little lad ducks down. 
(...)                                                                                      (...) 

Well? Well????