Going to Vienna and Eating a Sacher-Torte (the original)

 

Mind, Dear You: I didn't write "for" eating a Sacher-Torte. 

As you might have noticed, sometimes I have to fight with English grammar and jesters as "for / of / and with" - but I hope that you didn't believe for a second that Yours Truly goes to Vienna with the single intent to eat an original Sacher-Torte - that would be "too much" of snobbishness. 

For a while I thought about publishing that photo at all - I sit so crumpled that I can hear my late blue-blooded grandmother hiss: "Posture, girl, posture!" (She was oh so right). My red-blooded granny (note the difference in loving feelings) only would say: "Enjoy!" 

Which I did. 

And next time I'll write about the intellectual pleasures of Vienna. (After having polished off the whipped cream...) 

  

Edvard Munch. Magic of the North (Zauber des Nordens) in the Berlinische Galerie.

 

Dear You, 

I promised to tell you about the Berlin exhibition Edvard Munch. And though I will travel to Wien on Tuesday, I sit here in the early morning in Bavaria, singing a duet with "The Frog King":"What you promised you have to deliver". 

The Berlinische Galerie writes: 

Edvard Munch (1863–1944) challenged his contemporaries with the radical modernity of his paintings, especially in Berlin, where the Norwegian Symbolist exerted a big influence around the turn of the century. The exhibition “Magic of the North” is a partnership with the MUNCH in Oslo. It tells the story of Edvard Munch and Berlin, illustrated by paintings, prints and photographs.

Among the 80 exhibits you will not find "The Scream" (sounds like cultural names-dropping when I mention that I saw it a few weeks ago in "Secessionen.Klimt, Stuck, Liebermann" at the Alte National Galerie in Berlin.   :-). 

I'll just give you a few headers of the exhibition: 

"Scandal. Berlin. City of Art. Exhilaration. Scream. Collapse. Psyche. The North. Life and Loves. Digs and Homes." 

And photos of a few paintings: 

 

(This one evokes some drawings of my beloved Tove Jansson)

So: if you are in Berlin - and promise (!) to be not too impatient 

I recommend to visit the exhibition - 

you have time till 22. January 2024 -

Berlin then will do anything to shovel a footpath free of snow  for you: 

PS: I add a few words of Florian Illies' review in DIE ZEIT: 

"painting of negative resonances, of intrusive force fields which can make people lapse into silence through loneliness,  fear and jealousy - or scream."   

Britta's Thrill of Speed

Dear You, 

On Saturday I "hopped" to Berlin by train. 

Because I can. 😄 

I am now owner of a BahnCard 100 - which I think is incredibly expensive, but that depends on how often you use it. 

For one year from now on I can take every train in Germany - ICE, IC, Regio - and every public transport - bus, tram, underground, ferry etc I want without - and as often as I want to (haha: I might even consider living in a train!)- from now on, after bleeding a very big sum (in my eyes) - "without paying" anything. 

Son convinced me: such a card gives me spontaneity and freedom.(Hopefully no nervous breakdown - no: I see it as a chance to travel before I am no longer able to). 

I used it first to visit the Oktoberfest in München: my train was too late when it arrived in Nuremberg - but "One man's meat is another man's poison" - this time I got the meat: an ICE train coming from Hamburg arrived 47 minutes too late - and I could just hop in and arrived in Munich at exactly the planned time. 

(Our once oh so proud icon of punctuality has become a ruined business - so very often late, so often chaotic - since it got admission to the stock exchange). 

Thus I now could go to Berlin - and stayed in my huge flat for only 3 days (hahaha: part of that Me-time is cleaning...) - well: arrival day = half a day, leaving day: half a day... 

Why not longer? 

Well, Son had on the Tag der Deutschen Einheit (Day of German Unity) a decadal birthday, and being invited of course I wanted to join. So I returned - and enjoyed a beautiful Birthday Party. (Brain still works: I recognised a man who asked: "Do you know who I am?" "Of course", I said, "you are Niklas." I have a very good memory for faces - last time I had met him was the day they got their A levels of their grammar school... "Well, I doubted because I have less hair these days" he muttered - yes, yes, maybe - but I don't suffer from less imagination :-) 

I am highly interested if I will use my card the way I want to. In Berlin I was very happy: I could visit the exhibition on Edvard Munch - and will tell you in the next post. 

Yours Truly

Britta